They were not the pretty pictures of "willows by the river or beeches in the fog" that he was after,
but rather the landscapes of a world violently "disturbed" by man.
In the domain of art, each creation is unique, and knows little progress thereafter. Arising over time are all sorts of variations of the same themes, sometimes full-bodied, often quite bland. But the force existing at the beginning of the work is rarely maintained. Similarly, when this force is reapplied, the action produced in the artwork becomes automated and mechanized, so much so that the dulled senses fail to respond to the medium. The time is then ripe for a new invention. What we call the technique is inseparable from the art. And so we are wanting, and this is not a trivial matter, to do away with some ideas. Gutenberg, the inventor of movable type, printed by this means a handful of books, which still remain supreme as realisations of the art of book typography. The centuries which have succeeded him were not marked by any other major invention in this field of interest – until photography.
Although General Claude Auchinleck had stopped Rommel in his tracks during the First Battle of El Alamein in early July 1942, Churchill was becoming increasingly impatient with progress in the Western Desert. In early August that year, he arrived in Cairo and handed over command to General Bernard Montgomery.see more | read more
Sefton Delmer, whose dispatches were probably read by more people than any other British foreign correspondent's in the years before and after World War II, was born and brought up in Berlin, where his father was Professor of English at the University. He spoke and thought as fluently in German as he did in his native tongue. This gave him, when he came in the 'twenties and 'thirties to live again and work as foreign correspondent of the Daily Express in Germany, a unique insight into, and to a large extent sympathy with, the German character. He himself regarded this attribute both as a gift and a curse.see more | read more